I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”I doubt this is how he thought his life would end up when he first came to public attention in the Seventies. He was a skilled and sensitive portraitist of Sir Don Bradman and other great Aussies, and you can see in his paintings what he loved and cherished. He could have led just as successful a life far more quietly. But, when the Islamic Statists and the Oz statists alike decided to target him and his art, he didn’t flinch. He understood the malign alliance between Islamic imperialism and a squishy, appeasing west. One of his cartoons shows a spotty T-shirted kid announcing he’s off to join ISIS in “the war on western freedoms”. “No need for that, son,” says his dad. “They’re giving them away.”

From the Wall Street Journal– Amid the Downpour, California’s Regulatory Drought Continues Dams are spilling over, but decades of meddling by green groups means the water can’t get to my farm. By Jean Sagouspe Feb. 24, 2017 6:22 p.m. ET Heavy rain has put Northern California practically underwater, with reservoirs at capacity and dams spilling […]

…takes some names, kicks some ass… May God continue to bless you, Donald – and may this country continue to be blessed also. Call ’em like you see ’em – liars, cheats, thieves…traitors… Give ’em HELL and let me know if you think I can help in any way!

States’ Rights is still a thing, and Senator Smith of Billings KNOWS it. I am so proud to be Born Montana… HELENA – A state panel on Wednesday heard a bill that would prohibit local law enforcement from enforcing any new future federal bans on firearms and magazines, even though lobbyists representing those groups oppose […]

Been awhile since I’ve been there. No crowd, in fact the base looked almost as deserted as a ghost town. Couple of ships in, wasn’t able to read a name and I don’t know the numerical designations (the one close to the road was 21, if that helps you any) – and no, I didn’t […]

They’ve put Ringling Brothers and Barnum & Bailey completely out of business. Just too tough an act to follow. Jonah Goldberg’s G-File: The other day I noted on Special Report that Antonin Scalia had a rubber stamp on his desk with one of his favorite phrases: “Stupid but Constitutional.” I hope that one day, a […]